Friday, June 17, 2011

Plastic by Any Other Name Coke and Pepsi's plant-based bottles still damage the environment. By Amy Westervelt Posted Tuesday, June 14, 2011, at 1:54 PM ET



Plastic bottles. Click image to expand.First came the press releases: In March, PepsiCo touted the "World's First 100 Percent Plant-Based, Renewably Sourced PET Bottle," prompting CocaCola to stammer, "Odwalla First to Market with up to 100 Percent PlantBottle™ Packaging." The subsequent headlines bumped the hype up a notch: "Pepsi bottles: no more plastic" (Christian Science Monitor), "Pepsi Ups Ante on Plant-Based Bottles with 100% Non-Plastic Bottle" (GreenBiz),"Coca Cola—designing bottles from recycled plastic and plant by-product" (Guardian). Last month, Coca-Cola released a commercial for its Dasani-brand bottled water arguing that its partlyplant-based packaging is "designed to make a difference":



PRINTDISCUSSE-MAILRSSRECOMMEND...REPRINTSSINGLE PAGEBut despite all the buzz, Coca-Cola and PepsiCo's plant-based bottles are still very much plastic.The companies have merely replaced the fossil fuels (petroleum and natural gas) traditionally used to make their plastic bottles with ethanol from renewable sources (plant waste in Pepsi's case and Brazilian sugar cane in Coke's). Though these initial inputs come from renewable, lower-carbon sources, the resulting plastics are chemically identical to the polyethylene terepthalate, or PET,and high-density polyethylene, or HDPE, that regular plastic bottles are made of—a fact the companies acknowledge. And once the inputs become plastic, they carry all the same environmental impacts as plastic made from fossil fuels: They don't biodegrade, they pollute the world's oceans and soils, and still leach potentially harmful chemicals into our food."They're just using plants to make the same polymers you find in other plastics. It has zero effect on plastic pollution," says Marcus Eriksen, a marine expert who co-founded the nonprofit5 Gyres a few years ago to study ocean plasticization in areas like the Great Pacific Garbage Patch.Eriksen and his crew just finished exploring the world's five major oceanic gyres (slow-moving currents that create massive whirlpools where plastic can accumulate). They've found "plastic soup"—water thick with tiny bits of plastic—in all five. Eriksen's team and other researchers have also found larger chunks of plastic on the various islands scattered throughout the gyres, and in the bellies of dead birds, fish, and animals who fill themselves up with plastic bits that they mistake for fish and eventually die because they can't digest the stuff.
Likewise, plastic—plant-based or otherwise—harms human health. The dangers of chemical additives commonly used in plastic, such as BHT,* as well as chemical compounds released by plastics, such as acetaldehyde have been widely publicized for their apparent link to various types of cancer.
"Some bioplastics formulations use the same types of additives as petroleum or natural gas-based plastics," acknowledges Melissa Hockstad, a vice president at SPI, a trade association for the industry. In other words, plant plastics are not necessarily free of harmful chemicals. There's no way to know whether a particular plant-based plastic bottle includes these chemicals, since all plastic "recipes" are protected as trade secrets. But since traditional PET and HDPE manufacturers tend to use them to produce the right level of pliability and clarity, there's a very good chance that plant-based versions of PET and HDPE contain them, too. Hockstad says "some companies have been working on the development of bio-based" alternatives. But the key phrase is "working on the development of," as in, those additives don't exist yet and may never.
That said, there's a kernel of real progress amid the plant-plastic hype. The new bottles reduce the use of fossil fuels and improve recyclability. But there's a big difference between "recyclable" and "recycled." While all bioplastics are technically "recyclable," current recycling systems are not set up to recycle those that don't mimic existing plastics. The most common bioplastics include polylactic acid, which is made from corn starch, tapioca, or sugar cane. When these bioplastics arrive at a recycling center, they are separated out as waste.
In this sense, Coke and Pepsi opting to create plant-based HDPE and PET instead of other bioplastics is applaudable. Unfortunately, people still recycle only a small fraction of the plastic bottles they use, regardless of how those bottles are made. (Manufacturers typically put the recycling rate for PET at 27 percent, while recycling advocates suggest it's more like 21 percent.) Most plant-based bottles, sadly, will end up in landfills or along the side of the road.
As such, it's crucial not to misread plant-based as biodegradable. "As a recycler, I'm much happier with the bioresins that we're able to recycle, but I don't want it to turn into something where people think because they're buying a plant bottle, they can be wasteful," says Gerry Fishbeck, vice president of the United Resource Recovery Corp., a large recycling company that has a partnership with Coca-Cola.
Pepsi and Coke could do a greater environmental good by focusing on recycling instead of on making plant-based bottles. They could, for instance, finally throw their support behind bottle bills, state legislation that creates a deposit system for beverage containers. In the 10 states where they're enacted, bottle recycling rates range from 60 percent to 80 percent, dramatically higher than the national average. But so far Coca-Cola and Pepsi have balked at bottle bills, claiming they create an unreasonable business cost. (Under the bills, manufacturers are required to set up the deposit systems as well as arrange for the collection and processing of their empty containers.)
They should also commit to using recycled material in their packaging. In 2001, Coca-Cola pledged to use 10 percent recycled plastic in their PET bottles by 2005. It achieved that goal, promptly dropped its commitment to using recycled content, and now evades precise accounting with statements like, "We are working to advance technologies that allow us to use greater amounts of recycled materials in our packaging." The bottles currently produced by major bottling companies use about 4 percent recycled content, according to Susan Collins, executive director of the Container Recycling Institute.
There's no question that setting up collection facilities and integrating recycled material into the production stream is expensive. But several companies are already doing it, Collins says. Naked Juice, Naya Water, Eldorado Water, and Rainbow Light Nutritional Systems, for example, are all using 100 percent recycled plastic in their bottles. Meanwhile, Coke and Pepsi are spending millions on a plant-based version of the same old packaging and touting it as an environmental leap forward. Don't be fooled: It's a sidestep at best.
Correction, June 15, 2011: This article incorrectly suggested that bisphenol A and pthalates are commonly used as additives to PET and HDPE plastics. (Return to the corrected sentence.)

Oktavilla’s Colorful Office Wall is Made of Stacked Recycled Magazines by Lori Zimmer, 06/17/11 filed under: Architecture, Recycled Materials Read more: Oktavilla's Colorful Office Wall is Made of Stacked Recycled Magazines | Inhabitat - Green Design Will Save the World


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Old magazines can be hard to throw away, so it’s easy for stacks of them to pile high. Instead of discarding advertising agency Oktavilla’s growing collection of paper periodicals, Swedish architecture firm Elding Oscarson used them as inspiration. By stacking the old mags up in a colorful configuration, the firm created this incredible wall for Oktavilla’s offices. We guess print is not dead after all!


Elding Oscarson, Oktavilla, recycled materials, recycled magazines, repurposed magazines, magazine wall, sustainable office interiors, recycled office interiors, green design, eco design, sustainable design
One can imagine how many magazines an advertising agency receives, stockpiles, and stores for future reference. Rather than storing the magazines in boxes or discarding pages and pages of paper, Elding Oscarson decided to recycle them for a good use.
To make the sturdy wall, the magazines were bound in small stacks to make “blocks.” The individual stacks were then organized by similar size and shape, and lined up to form a large picture window and double doorway. The stacks reach from floor to ceiling.
The colorful magazine spines create a textural, patterned wall that brightens up the entire workspace while also creating a conversation piece. The thick magazine walls also provide incredible soundproofing between offices and conference areas. And although the magazines are bound, they are still accessible if necessary.
+ Elding Oscarson
Via Apartment Therapy









Read more: Oktavilla's Colorful Office Wall is Made of Stacked Recycled Magazines | Inhabitat - Green Design Will Save the World 


source: http://inhabitat.com/oktavillas-colorful-office-wall-is-made-of-stacked-recycled-magazines/

Sunday, June 12, 2011

ATELIER RWANDA: Natural Dye in Rwanda



onion dyed cotton sewed with corn fiber
images courtesy of atelier rwanda



'natural dye in rwanda' by atelier rwanda is a research based project which explores the full cycle of natural dyeing in
the context of contemporary textile production in rwanda. the project, led by the designers eugenia morpurgo and
maya ben david, was based on collaboration with local basketry craftswoman, a class of tailors and a group of students
from the kist university of kigali as part of a workshop which recently took place in kigali.

currently, rwanda’s local textile market is based on imported fabrics. what is known as ‘african fabrics’ are designed mostly
outside of africa. the aim of this project was to explore design possibilities in the field of textile while using local fabric,
available techniques and the skills to support the identity of rwanda’s local culture.



anuaritte, one of the artisans modeling the scarf


in rwanda, there is no tradition of natural textile dying although the method does exist in the region's basketry crafts.
the research surrounding this project was based on trial and error, where the team manipulated the processes and
techniques used in basketry to comply with textiles.



onion dyed cotton with a ring made from vegetable fibers using agaseks k’uruhindu technique


the research was followed by implementation, where the 'tailors' designed a series of shoes and scarves. starting with the
local production of sandals, the aim was to combine the skills of the shoe maker with the one of the tailors to create new
possibilities in local shoe production. the scarves combine natural dyed fabric with vegetable fibers and basketry techniques,
to create a local textile with a highly tactile expression, which can be easily produced with available materials and methods.



cotton dyed with mukurukumbe root

further, the objectives of the research program were: to promote efficiency and sustainability of activities related to natural fibers
developing innovation of products made in local materials; to improve the productive capacity of local handicraft; to strengthen
the role of craftswomen; to enhance the development and market of local resources and products; to improve the use of water supply;
to strengthen, within the architectural planning and design, cultural exchanges between europe and africa in order to enhance
resources and working abilities in africa.



cotton sewed with banana bark



shoe produced with onion dyed cotton and sole made from tier


tiers for producing sandals


making sole from tiers at kimironko market



conculting with the teacher of the tailor class



tailors at kumurindi market


process of extracting the color from the kimbazi flower


different plants which were experimented with

designboom has received this project from our 'DIY submissions' feature, where we welcome our readers to submit their own work for publication.


source: http://www.designboom.com/weblog/cat/8/view/15119/atelier-rwanda-natural-dye-in-rwanda.html

Saturday, June 4, 2011

Earthquake-Proof Wood House Survives 7.5 Magnitude Quake by Sarah Parsons, 07/20/09 Read more: Earthquake-Proof Wood House Survives 7.5 Magnitude Q

If you’re in search of a home that can withstand even the most powerful natural disasters, the solution might reside in the nearest tree. A team of researchers from five universities are currently working on ways to make wood earthquake-proof. If they succeed, the world may soon see cheap, sustainable wooden homes that can hold up even when earthquakes shake them to their cores.


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So far, researchers have seen promising results: During a July 14th test at Japan’s Hyogo Earthquake Engineering Research Center, researchers used an E-Defense shake table, the largest shake table in the world, to simulate an earthquake measuring 7.5 on the Richter scale. The seven-story, million-pound wood condominium that was placed on the table remained standing, only suffering some minor cosmetic damage.

Researchers say that to get the building to withstand a whole lotta shaking, they changed the condo’s nail distribution to better distribute stiffness among the different floors, taking into account changes in structural pressure that occur during an earthquake. Designers also used 63 anchor tie-down systems from Simpson Strong Tie, steel rods that run from the foundation to the roof and prevent the building from rocking.

While many designers have looked at expensive, complicated building materials like flexible concrete and metal alloys to create quake-proof structures, this is the only experiment to use buildings crafted from wood. It’s important to optimize this particular building material because wood is both inexpensive and sustainable, meaning it can be used in all parts of the world, even inimpoverished nations.

While researchers are quick to label quake-proof wood as sustainable, the extent of the wooden buildings’ eco features are unclear (for example, if they aim to use reclaimed or FSC-certified wood, or if they incorporate other eco-friendly building materials). But based on these early rounds of testing, one thing is certainly clear: earthquake-proof wooden structures are bound to really shake up the design world.

Via Popular Mechanics




Thursday, June 2, 2011

Jose Collection by Mauricio Arruda published in: Design By Ricardo Hernandez, 26 April 2010


photo by Felipe Morozini
In the land that has provided the world with Bossa Nova and the ever cultural attribution given to Ipanema, Brazil also provides insight to some of the most interesting social and urban landscapes in the world. The urban centers of Brazil - Sao Paulo and Rio de Janeiro- are rich in layers, language, textures, inspiration and creative opportunities. With plenty of people and a thriving center for cultural transactions, it takes a creative mind to build and design order out of this sometimes, chaotic urban fabric. Mauricio Arruda, a Brazilian architect based in Sao Paulo has been able to share with out readers how he leveraged such complexity.
photo by Felipe Morozini
photo by Felipe Morozini
Jose Collection is a family of storage furniture pieces produced out of materials and processes that achieve a more responsible environmental impact. With previous experiences in design research and academia, his approach to the collection analyzes the product's life cycle. The urban landscape produces plenty of material that goes overlooked and underused; Arruda was able to see the opportunity to such urban norm. By combining an archetype with available plastic containers, he was able to create a transitory object that speaks to different levels- cultural and environmental.
photo by Felipe Morozini
The collection utilizes solid wooden sheets that carry the FSC seal (Forest Stewardship Council) and treating those sheets with a natural camauba wax without the use of solvent-based finishes keeps the material fresh. The piece is then completed by adding multi-colored plastic containers creating a humble, practical and dynamic piece. The pieces speak to the nature of improvisation and to the transient state of urban markets.
photo by Felipe Morozini
photo by Felipe Morozini
You have to be able to take what you have and re-use it differently if the conditions change, that is the culture of a city.

The containers can be removed from the units, and used to store objects, toys, food, clothing, etc. If a quick trip to the market is close and casual, the container can serve as a plastic bag replacement. In this urban dominated world we must stay flexible and understand the multiplicity of experiences. The materials provide a connection to a much lower social class but together, as a design solution, it expands its demographic to a contemporary piece that resonates will all. It breaks down class and social divisions; it connects all of us to its root, the city. Jose Collection connects to the root of the Brazilian identity - rich, diverse, vibrant, innovative. Yatzer continues to see great work from this beautiful country and we love to share with our readers the talent and uniqueness to the Brazilian design consciousness.
photo by Felipe Morozini
sources: Mauricio Arruda http://www.yatzer.com/Jose-Collection-by-Mauricio-Arruda