Friday, June 17, 2011
Plastic by Any Other Name Coke and Pepsi's plant-based bottles still damage the environment. By Amy Westervelt Posted Tuesday, June 14, 2011, at 1:54 PM ET
Oktavilla’s Colorful Office Wall is Made of Stacked Recycled Magazines by Lori Zimmer, 06/17/11 filed under: Architecture, Recycled Materials Read more: Oktavilla's Colorful Office Wall is Made of Stacked Recycled Magazines | Inhabitat - Green Design Will Save the World
Old magazines can be hard to throw away, so it’s easy for stacks of them to pile high. Instead of discarding advertising agency Oktavilla’s growing collection of paper periodicals, Swedish architecture firm Elding Oscarson used them as inspiration. By stacking the old mags up in a colorful configuration, the firm created this incredible wall for Oktavilla’s offices. We guess print is not dead after all!
One can imagine how many magazines an advertising agency receives, stockpiles, and stores for future reference. Rather than storing the magazines in boxes or discarding pages and pages of paper, Elding Oscarson decided to recycle them for a good use.
To make the sturdy wall, the magazines were bound in small stacks to make “blocks.” The individual stacks were then organized by similar size and shape, and lined up to form a large picture window and double doorway. The stacks reach from floor to ceiling.
The colorful magazine spines create a textural, patterned wall that brightens up the entire workspace while also creating a conversation piece. The thick magazine walls also provide incredible soundproofing between offices and conference areas. And although the magazines are bound, they are still accessible if necessary.
+ Elding Oscarson
Via Apartment Therapy
Read more: Oktavilla's Colorful Office Wall is Made of Stacked Recycled Magazines | Inhabitat - Green Design Will Save the World
source: http://inhabitat.com/oktavillas-colorful-office-wall-is-made-of-stacked-recycled-magazines/
Sunday, June 12, 2011
ATELIER RWANDA: Natural Dye in Rwanda
onion dyed cotton sewed with corn fiber
images courtesy of atelier rwanda
'natural dye in rwanda' by atelier rwanda is a research based project which explores the full cycle of natural dyeing in
the context of contemporary textile production in rwanda. the project, led by the designers eugenia morpurgo and
maya ben david, was based on collaboration with local basketry craftswoman, a class of tailors and a group of students
from the kist university of kigali as part of a workshop which recently took place in kigali.
currently, rwanda’s local textile market is based on imported fabrics. what is known as ‘african fabrics’ are designed mostly
outside of africa. the aim of this project was to explore design possibilities in the field of textile while using local fabric,
available techniques and the skills to support the identity of rwanda’s local culture.
anuaritte, one of the artisans modeling the scarf
in rwanda, there is no tradition of natural textile dying although the method does exist in the region's basketry crafts.
the research surrounding this project was based on trial and error, where the team manipulated the processes and
techniques used in basketry to comply with textiles.
onion dyed cotton with a ring made from vegetable fibers using agaseks k’uruhindu technique
the research was followed by implementation, where the 'tailors' designed a series of shoes and scarves. starting with the
local production of sandals, the aim was to combine the skills of the shoe maker with the one of the tailors to create new
possibilities in local shoe production. the scarves combine natural dyed fabric with vegetable fibers and basketry techniques,
to create a local textile with a highly tactile expression, which can be easily produced with available materials and methods.
cotton dyed with mukurukumbe root
further, the objectives of the research program were: to promote efficiency and sustainability of activities related to natural fibers
developing innovation of products made in local materials; to improve the productive capacity of local handicraft; to strengthen
the role of craftswomen; to enhance the development and market of local resources and products; to improve the use of water supply;
to strengthen, within the architectural planning and design, cultural exchanges between europe and africa in order to enhance
resources and working abilities in africa.
cotton sewed with banana bark
shoe produced with onion dyed cotton and sole made from tier
tiers for producing sandals
making sole from tiers at kimironko market
conculting with the teacher of the tailor class
tailors at kumurindi market
process of extracting the color from the kimbazi flower
different plants which were experimented with
designboom has received this project from our 'DIY submissions' feature, where we welcome our readers to submit their own work for publication.
source: http://www.designboom.com/weblog/cat/8/view/15119/atelier-rwanda-natural-dye-in-rwanda.html
Saturday, June 4, 2011
Earthquake-Proof Wood House Survives 7.5 Magnitude Quake by Sarah Parsons, 07/20/09 Read more: Earthquake-Proof Wood House Survives 7.5 Magnitude Q
If you’re in search of a home that can withstand even the most powerful natural disasters, the solution might reside in the nearest tree. A team of researchers from five universities are currently working on ways to make wood earthquake-proof. If they succeed, the world may soon see cheap, sustainable wooden homes that can hold up even when earthquakes shake them to their cores.
So far, researchers have seen promising results: During a July 14th test at Japan’s Hyogo Earthquake Engineering Research Center, researchers used an E-Defense shake table, the largest shake table in the world, to simulate an earthquake measuring 7.5 on the Richter scale. The seven-story, million-pound wood condominium that was placed on the table remained standing, only suffering some minor cosmetic damage.
Researchers say that to get the building to withstand a whole lotta shaking, they changed the condo’s nail distribution to better distribute stiffness among the different floors, taking into account changes in structural pressure that occur during an earthquake. Designers also used 63 anchor tie-down systems from Simpson Strong Tie, steel rods that run from the foundation to the roof and prevent the building from rocking.
While many designers have looked at expensive, complicated building materials like flexible concrete and metal alloys to create quake-proof structures, this is the only experiment to use buildings crafted from wood. It’s important to optimize this particular building material because wood is both inexpensive and sustainable, meaning it can be used in all parts of the world, even inimpoverished nations.
While researchers are quick to label quake-proof wood as sustainable, the extent of the wooden buildings’ eco features are unclear (for example, if they aim to use reclaimed or FSC-certified wood, or if they incorporate other eco-friendly building materials). But based on these early rounds of testing, one thing is certainly clear: earthquake-proof wooden structures are bound to really shake up the design world.
Thursday, June 2, 2011
Jose Collection by Mauricio Arruda published in: Design By Ricardo Hernandez, 26 April 2010
The containers can be removed from the units, and used to store objects, toys, food, clothing, etc. If a quick trip to the market is close and casual, the container can serve as a plastic bag replacement. In this urban dominated world we must stay flexible and understand the multiplicity of experiences. The materials provide a connection to a much lower social class but together, as a design solution, it expands its demographic to a contemporary piece that resonates will all. It breaks down class and social divisions; it connects all of us to its root, the city. Jose Collection connects to the root of the Brazilian identity - rich, diverse, vibrant, innovative. Yatzer continues to see great work from this beautiful country and we love to share with our readers the talent and uniqueness to the Brazilian design consciousness.
From Garbage To Art: How To Change The World
"That's what no one wants, what people think cannot be reutilized in some form. And yet, what we see in nature is that nothing goes to waste. It's us, humans, who are the parasitic influence, the garbage makers. And it doesn't have to be this way."
"It's a party, thousands of people doing something that makes them feel good and that does good. How can you go wrong?"